WHYMPER, Josiah Wood

1813 - 1903

Josiah Wood Whymper

Born at Stoke Green, Ipswich on 24 April 1813, second son of Nathaniel Whimper, a brewer and town councillor at Ipswich, and his wife Elizabeth née Orris, the Whimper family was a well-established Suffolk family. Sometime after 1840 Josiah adopted what he considered the original spelling of his name, Whymper but his early works are signed ‘Whimper Sc’, or J W Whimper; later works are signed J W Whymper. Educated at private schools in Ipswich and then, wishing to become a sculptor, apprenticed to a stonemason but a near-fatal accident in the mason's yard terminated his apprenticeship before he was sixteen. On his mother's death in 1829 he went to London hoping to join a sculptor's studio, but was dissuaded from this profession by sculptor John Charles Felix Rossi (1762-1939). He then taught himself to draw and from 1829 studied watercolour painting with William Collingwood Smith (1815-1887). He and his brother, Ebenezar Whymper, set up a wood-engraving business at 31 Paradise Road, Lambeth and work on orders for shop notices led to commissions from publisher Charles Knight for 'Arabian Nights Entertainments' (1839), 'Pictorial Shakespeare', and 'Penny Magazine'. Josiah Whymper established himself as an illustrator with an etching of 'New London Bridge' on the occasion of its opening (1831), on which made £30 profit. Finding that his brother was irresponsible in the running the business, about 1842 he moved to 20 Canterbury Place, Lambeth. In 1837 he married Elizabeth Whitworth Claridge (1819–1859), and they had nine sons and two daughters. He intended that all his sons continue in the business but the successful were Alfred, who was sent to train with the Edinburgh printer R. Clark in 1857, with Frederick, Charles and young Edward Whymper being trained by Josiah as draughtsmen on wood with young Edward eventually taking over the business. Josiah was also master to an impressive succession of apprentices Frederick Walker, Charles Keene [q.v.], J. W. North, Charles Green, and G. J. Pinwell. His wood-engraving business became one of the most thriving in London, taking on most of the work for publishers John Murray, The Religious Tract Society and the Society for Promoting Christian Knowledge. Fine examples of his book illustrations are those in Scott's 'Poetical Works'; 'Picturesque Europe' and some of Murray's editions of Byron's Childe Harold and Schliemann's Works; 190 engravings after Joseph Wolf for C. A. John's 'British Birds in their Haunts' (1862); and twenty engravings after Wolf for 'Life and Habits of Wild Animals'. Whymper also engraved for periodicals such as 'Illustrated London News' (1855) and 'Sunday at Home' (1869). He engraved a large number of illustrations by Sir John Gilbert, his friend and constant travelling companion for watercolour sketching: 'Lady of the Lake' (1853) and 'Lay of the Last Minstrel' (1854) are two of the finest examples. Whymper was also a competent draughtsman illustrator, often engraving his own natural history illustrations which appeared in C. R. Conder's 'Child's History of Jerusalem' (1874), L. J. Jenning's 'Field Paths and Green Lanes' (1877), and C. R. Conder's 'Tent Work in Palestine' (1878). Although his engraving work did not allow him much time to pursue watercolour painting, he exhibited frequently at the New Watercolour Society from 1844, where he was elected associate in 1854 and member in 1857; and also at the Society of British Artists, the Royal Academy, and the Royal Institute of Painters in Oil-Colours. His wife, Elizabeth, died in 1859, and in 1866 he married secondly, Emily Hepburn (1833-1886), also a talented watercolour painter, who exhibited watercolour landscapes at the Royal Academy in 1877–1878 and the Royal Institute in 1883–5. By 1882 Whymper's engraving business at 43-45 Lambeth Road was jointly managed with his son Edward and appeared in the directories as J. W. and Edward Whymper, draughtsmen and engravers on wood. From 1859 he had a country house at Haslemere, Surrey, but did not finally retire from his work in London until 1884, when Edward took over the firm. During Josiah's career the Whymper name had established an excellent reputation for high-quality wood-engraving. He died at his home, Town House, Haslemere on 7 April 1903, and buried in Haslemere churchyard. A watercolour landscape painter and exhibited at Agnew & Sons Gallery, Walker Art Gallery, Liverpool; Manchester City Art Gallery, the Royal Institute of Painters in Water Colour, the Royal Institute of Oil Painters and his birth home at Ipswich Fine Art Club exhibiting from Haslemere in 1883 two watercolours 'Stretched Wide and Wild' and 'The Sands at Penmaenwawr, N. Wales'. His son Frederick Whymper (1838-1901) exhibited three landscapes at the Royal Academy, two in Surrey and on the Seine, and three water colours at the Society of British Artists.(Copsey-Ipswich Book Trades. 2011)




Works by This Painter